by Valerie Herron

© Copyright Valerie Herron
Valerie Herron is a Pacific Northwest-based illustrator of the mythological, the macabre, and the absurd. She received her BFA in Illustration at Pacific Northwest College of Art in Portland, OR.
Valerie has created art for numerous publications, including The Steel Clan Saga by T. Thorn Coyle, Night Walk by Aeryn Rudel, as well as two Lovecraft anthologies – The Book of Starry Wisdom and The Book of the Three Gates – by Strix Publishing. Valerie has created art and content for multiple entertainment media enterprises such as RiffTrax, Faerieworlds, Privateer Press, and Pacific NorthWEIRD.
Outside of her creative practice she spends her time listening to music and podcasts, being out in nature, playing with her animals, writing, reading, gaming, and exploring a myriad of sorcerous activities.
Read the Rest of the August Issue

- The Heart Sings A Siren by Ali Trotta
- A Nereid’s Guide to the Underworld by E. Catherine Tobler
- Depths by Thomas Jones
- Mammiwata Bay by David Ishaya Osu
- Only Circles in the Sea by Carlie St. George and Clare McCanna
- Twenty Thousand Last Meals on an Exploding Station by Ann LeBlanc
- An elegy for voices Ariel traded for legs by Agwam Kessington
- Dream by Mila Nowak
- mermaid life by Susmita Ramni
- Mystery of the Deep by Nina Kiriki Hoffman
- more fat mermaids by Linda M. Crate
- Waking Dream by Kim Coleman Foote
- Honey and Vinegar and Seawater by Keyan Bowes
- They Will Try to Drain You by Valerie Herron
- The Sea King’s Second Bride by C. S. E. Cooney
- Self portrait as an ocean bed by S. Rupsha Mitra
- Mami-Wata by Tony Ogunlowo
- Underwater Eclipse by Cito Wheelington
- Loving the Other: Hans Christian Andersen and the evolution of mermaid romance in Wester media by Carrie Sessarego
- What Mother Failed to Mention About Dating a Mer-Man by LindaAnn Loschiavo
- I Want to Be Where the People Are: Disability and The Shape of Water by Elsa Sjunneson
- I Am Not Your Tragedy by Carlie St. George and Clare McCanna
- Canto for a Mermaid by William Heath